That’s right, annex Antarctica! It’s Christmas Eve and freezing cold in my House, so I have some Perspective on this issue. What looks like a maxi-chunk of ice is in fact an integral part of America’s Defense Posture. For entirely too long, this vital link in America’s chain of World Domination has been blithely and willfully ignored. Fortunately, there are Republican politicians who truly understand President Donald J. Trump’s fixations and they are willing to go that Extra Mile in understanding just how essential Antarctica is to our National Security. Let us take a Voluntary Position to make Antarctica an integral part of the U.S.A. Any Sleazeball Democrat bleeding-heart Antifa scum who opposes us should be tried for treason! Congress must ratify the selection of a Special Envoy to the icy south, rather than throw out the baby with the bath water. Yes, it’s cold down yonder, but if it is worth doing, it is worth doing right!
Five different species of Penguins be damned. They have been Ripping Off America entirely too long! Yes, they are cute, but they are also totally worthless when it comes to manning machine gun nests or firing HIMAR anti-tank missiles. We have run tests. Nor do they spend anywhere near 3% of Antarctica’s GNP on their own defense. All that penguin guano is chock full of nitrates which could be fertilizing soybean fields in Iowa. It’s shameful that we have let them hitch a Free Ride on America’s coattails for far too long, but we are Good People and, as the Ice Shelf melts, we will save their sorry asses from oblivion.
Don’t let the Southern Elephant Seals fool you, they are all Radical Left Lunatics!
Instead of getting their house in order, the whale, seal, petrel and penguin denizens of Antarctica’s frozen wasteland have depended on International Treaties that claim Antarctica as a nuclear-free zone and pacifist redoubt. No one wants to live there! You have to pay people to overnight. Poo-poo on your international treaties, you softies at the U.N. You typically Fuzzy-Headed Bureaucrats! It is time for you to put the horse before the cart and ensure the survival of the Snowy Albatross. Read The Rime of the Ancient Mariner by Samuel Taylor Coleridge for details. As Coleridge wrote, “I fear thy skinny hand!”
Redemption is at hand! Redirect the Seventh Fleet. Ship Heavy Weapons to McMurdo Sound and preserve the ice sheet. What’s not to like? The driest, coldest place on the planet, they have nine months of winter and a volcano. We already have a footprint in the region: There are burger bars, pizza ovens, stir-fry and burritos in the cafeteria at McMurdo Station. Grab your moon boots and an AR-15! We must protect the civilian population of research scientists and our $110 million yearly investment. We can use Christchurch, NZ as a staging area. If Pakistan can sell more than $4 billion in military equipment to Libya, what’s the problem? Besides, if we don’t do it, China will label Antarctica as the Final Destination on the Silk Road and invade. We have the aircraft and we have the storage lockers, it is only the will to Invest in Antarctica’s Future that is currently lacking in Congress and among the American people. This will change! I am certain of it.
Yesterday was a Sunday. Continuing to showcase some of realPfft’s best tracks from their back catalog, it is truly a pleasure to present the haunting instrumental “Nothing on a Sunday” from March 2023.
The cover art is a homage to Norwegian artist Edvard Munch’s world-renown painting “The Scream.” Mutte’s pal Patrick J. strikes a similar pose on a wharf in the Uppland archipelago. Even the two dudes in the background are part of Munch’s original masterpiece.
No way is this “Best of…” A total train wreck, it has curiosity value. Released in June of 2020, recorded live in the Uppsala studio, the boys were joined by wailing guest guitarist Björn B., guest drummer Micki Lightstream, and a guest producer— who shall remain nameless. Also, their audio engineer had issues. This is take 9 of 16 takes recorded over a three-day period. By the last take, all the noisy blemishes had been cleaned up, Björn’s impossible guitar had been tamed and the Chinese gong no longer blew out the walls. Unfortunately, the song was no longer any fun.
Boring.
Despite the coronavirus, realPfft’s business manager at the time was visiting from the States. He had gotten a good price on his plane ticket. Now he was unhappy. Insisting on his right to listen to all sixteen takes, he came to take number 9 and said “There it is. That’s the song! What have you dudes been doing the last day and a half?” Like, there went mucho hours of Herculean effort flushed down the toilet.
Bands have broken up over less, but these are Swedes and they like one another. Agreeing that take 9 needed more treble, that’s all they added, leaving everything else alone. Unrefined, with a nod to the Beatles, a punk rock sense of rebellion and singer Clive Flatenbad channeling Joy Division, here is realPfft’s messy but fun “Back in the Pandemic.”
The cover art, from Clive’s personal archive, shows how our boy looked as a punk singer in the steamy 1980’s.
Back in the Pandemic
[ Sound of an airplane landing ]
Here’s a piece of concrete art:
Crushed out promises, a broken heart
Face up to truth wherever it finds you
Face up to love whenever it blinds you
Ten more years
And we’re all still here.
Escalating germs off of the plane
My brain’s cookin’, I’m goin’ insane
Time is measured in a crystal ball
The time clock sits at the end of the hall
She’s no friend, no, no friend…
You pretend… but she’s gone!
Patriotic songs by a patriotic fool
Gun-toting protesters think that it’s cool
Circles on the grass at the edge of the park
I wear a mask and a broken guitar
It’s your country, my country…
All our countries… gone.
Retail apocalypse, empty malls
Unemployment and the Stock Market falls
On the TV, the— evening— news
Happy talk by the prez just gives me the blues
Trump’s your man… lies all he can…
Until… he’s… gone!
Irreduceable summation
Of this once proud nation!
I hide behind my thumb
And eat up all of my ration!
Rocket ships leaving for outer space
Desert us to live in the same old waste
They’re gone… ten more years…
Of fear… Will we still-l-l… be here?
Open a packet of biscuits and a packet of beef
My light is waning, I’m not a thief
Church bell country ringing the changes
The Virus— Task— Force plans and arranges
Clueless… they’re a joke…
One more press conference… Then they’re… pzzzzzzt!
In October of 2021, during one of their most productive periods, Swedish rap duo realPfft released “Fettuccine Western.” Their take on Sergio Leone’s glorious spaghetti westerns, the vocal may sound like it was recorded off a DVD, but that’s actually Clive channeling Clint Eastwood. “Hang him by his bootstraps! Lazy varmint!” When it comes to theatrics, Clive is always available.
Eviga Beatles är en hyllning till Fab Four. “Beatles Forever” is a tribute to the Fab Four.
Sexy song bird Maria is a Mary Hopkins throwback. All the boys here in the studio want to bed her! When constructing a playlist, place Eviga Beatles— “Beatles Forever”— alongside “Those Were the Days” or similar Apple releases. Doubling Maria’s voice in the mix has created a nice ABBA effect.
The lyrics are the usual realPfft combination of brilliant insight and hopeless sentimentality. The phrase “We are all Beatles” wins the prize for hokey drivel. Read the English translation below.
Cover artist Kuny used Copilot to create lettering based on Rubber Soul and to show Paul and Ringo in living color while John and George are spooky, ghostly apparitions in black & white.
Hi! Waiting for TuneCore to finish distribution of realPfft’s latest hit song, I continue to curate their back catalog. My blog gives me daily reports on which music files you readers are downloading and what countries you come from. This allows me to direct your attention to sometimes forgotten gems. I woke up this morning and thought, “Classic! That’s a great instrumental. Why aren’t I showcasing it?”
Taking his inspiration from Mason Williams’ April 1968 hit “Classical Gas,” Mutte has created his own symphonic pop masterpiece. It’s a classic.
In 1967, the same Mason Williams created an art installation titled “Bus.” A life-size color photograph of a Greyhound bus in 1:1 scale, this unusually large poster mural measures 10 feet by 36 feet.
In celebration of Williams’ artwork, Kuny— who does realPfft’s cover art— designed, photographed and labeled his “Classic” box. Dimensions: 4 inches in height by 5 ½ inches wide by 3 ½ inches deep. Kinda puny, no? Signed prints are available.
It’s a rainy Wednesday in November and it occurs to me that I am remiss in serving fans of the Swedish rap duo realPfft. You want more songs. I’ve asked the boys, Mutte and Clive, “What’s cookin’?” They have two biscuits in the oven, but Mutte wants to add musical breaks and bridges before they release these monsters onto an unsuspecting world.
As their music publisher and band manager, I have access to their entire catalog. Why not showcase their best work while they labor on new material in their virtual studio?
“Storming the Capitol” is a great rainy day hit. A terrific riff, lots of bass, their usual fascination with sound effects.
On January 6, 2021, a crowd of rowdy, armed Trump supporters met on the mall in Washington, DC to hear a speech by their leader. After losing the 2020 presidential election, Trump called on them to take back their country. By interrupting the Congressional counting of electoral ballots in the U.S. Capitol, the insurrectionists hoped in some vague way to swing the election to Trump. Overrunning police barricades and beating up the police, they broke into the Capitol, where they did a lot of damage and threatened lawmakers who ran for their lives or took shelter behind locked doors. It was a wild, upsetting afternoon with colored smoke wafting through the air and the future of American democracy very much in question. Returning to the White House, President Trump watched the pageant unfold on television. He waited hours to call the whole thing off.
Two weeks later, on January 20th, Joseph Biden was sworn in as America’s 46th president.
The insurrectionists were charged with unlawful entry, destruction of property, violence against the police and other assorted charges. No one, however, was accused of treason. Enrique Tarrio, the leader of the Proud Boys militia, was convicted instead of seditious conspiracy and sentenced to 22 years in prison, the longest prison term given to a January 6th insurrectionist.
From June to December 2022, Congresswoman Liz Cheney and the United States House Select Committee to Investigate the January 6th Attack on the United States Capitol held a series of hearings into the violence at the Capitol. Although never charged, the video record made it pretty obvious that President Trump incited the mob to attack the Capitol. For her courage in pinpointing this truth, Ms. Cheney was drummed out of the Republican Party!
Once elected to a second term, President Trump immediately pardoned all the January 6th defendants.
Rap band realPfft released the instrumental “Storming the Capitol” on January 8th, 2021, exactly two days after the actual event. How in the world did they do that?!
They had already spent two weeks working on the instrumental. A Russian-influenced emotional rollercoaster with roots in classical music, it has a soaring, pining melody and a male choir. Adding diverse crowd sounds and the occasional explosive percussion, the boys fine-tuned the finished product.
The only thing missing was the cover artwork. They turned to their Old World collaborator Kuny who listened to the music, watched footage of the rioters on TV and sketched the 1920’s style German Expressionist agitprop cover art in a single inspired all-nighter. They then delivered the product to TuneCore for almost instantaneous release.
In a January 2021 blog post, I provided a link to the track on YouTube. Five years later, we revisit this musical gem, one of the best things that realPfft has ever done.
I live in Oxburg, Maryland. A local boy, I haunt the Lost Seagull Café. If you are hungry and drive far enough north on Rockville Pike, there it is, next to a Greek deli in a strip mall, one mile short of the broadcast antennas. Don’t let the Chekhovian name fool you, the café is Russian-Jewish. Nostalgia ain’t what it used to be, I miss the old days, thirty years ago, when Chevy Chase was one of the places in Maryland where you could pump quarters into a mechanical kiosk at the bus station and purchase an English-language edition of the Yiddish newspaper Forverts. Our synagogue even had a stack of free Russian-language newspapers parked by the door.
I drive a silver-colored 2004 Toyota Camry XLE with a moonroof. It has real leather seats in gray, a CD player and a stitched leather shift knob. A people’s car, Toyota must have sold half a million of them.
Pulling into the parking lot, I have to brake hard to avoid hitting a single lonely demonstrator, his sign proclaiming “Genocide is a Lie!”
You walk into the Lost Seagull, the bell mounted atop the door goes tinkle, tinkle, thud! The staff is a handful of Russians, with accents from St. Petersburg, the Caucasus, Murmansk and Vladivostok. Their parents, Soviet refuseniks harassed by the KGB, left Russia to rid themselves of Moscow’s meddling. Atop the cash register, a sign in Hebrew lettering says Eydish geredt, “Yiddish Spoken.” And behind the register, a line of matryoshka nesting dolls alternates with Alenka brand Russian chocolate bars. Plaintive balalaika music plays in the background, but so softly, it’s virtually inaudible. The same cassette tape plays over and over 24/7. You need to travel to Maryland’s Eastern Shore to find anything quite this authentic.
I choose a smallish table near the back and order silver tea, which is boiling hot water for people arriving with their own teabag. I intend to leave a big tip, which is why they let me do this once a week. Nobody ever said that the water in Maryland tastes like wine.
I’m a music publisher for a Swedish rap band, a bedroom recluse trust fund babe in Chicago, a Calypso combo from Trinidad heavy on steel drums and 160 other equally desperate music artists. They create tracks in over two dozen genres, things like heavy metal dance music, country indie pop, jazz rapper funk, techno trance nu metal, Ladino punk rock, Latin sludge metal, electronic body trap, psychobilly aggrotech, unblack crust punk, beatdown microhouse, melodic brostep dream pop (think a male Katy Perry) and a host of other equally esoteric styles. You may not know how to describe it, but you’ll know it when you hear it. Music publishing is what I do.
We are online and off, Backpack Giant Music, LLP, a subsidiary of Large Egg Entertainment. (Previously Large White Eggs Entertainment, but modified to alleviate cringy references to white supremacists.) The music business requires constant prodding to get anything done, it’s not for the faint of heart, no one ever got rich hoping for a miracle. Let’s be clear, the songwriter owns the track. My job is to sell it, licensing songs to films, adverts and streaming media. I also defend ownership of the copyright. Preferably, a buyer will purchase an artist’s complete catalog, rather than a single hit song. His or her past, present and future output. Plastic pick to guitar strings, sticky fingers to piano keys, drumsticks to batter head, scratchy pencil to notebook paper, humming and strumming, music is born! Everybody in the publishing biz is looking for the next Taylor Swift, but — a unicorn in a haystack — it is difficult to find her. I am neither starving nor loaded. I make a living.
I share the business with Barry Guildenstern, who can trace his lineage all the way back to Shakespeare’s Hamlet. His specialty is club dance music, supplying tracks of electronica exclusive to his brand to DJ’s all over the planet. With a stable of computer nerds supplying endless product, Barry runs the biz as a subscription service, guaranteeing him a monthly income.
In the Stone Age, Barry and I were journalism students together at Moosegrave College. Recently, he decided to write a book titled Jews in the Music Business. When he went to do interviews, every music person hearing the title promptly threw him out on his ear. “Nobody wants to paint such a bull’s eye on his back, you klutz,” Saul Wasserman told him. Since the start of the war in Gaza, we Jews have become even more circumspect. “What, me Jewish?” I tell people. “Never heard of it! We’re Russian Orthodox and I have the liturgy to prove it. Payem paruski?” As for Israel, right or wrong, I support the homeland, but even I find the Israelis guilty of criminal negligence when it comes to October 7. How could they have let this happen??? AGAIN! I’m still smarting from losses in the 1973 war with Egypt.
To show solidarity with the Palestinians, I have been bedding a raven-haired young lady from Rafah named Sandra, a graduate of Al-Quds University. A pharmacist, she works behind the counter at the local drugstore in Oxburg. Equipped with a wicked laugh and coal-black eyes, she is amazingly seductive and only slightly crazy. As long as I bring her Greek halva, she lets me climb into her bed. A political refugee granted temporary, tentative asylum, her refugee status hanging by a thread, who knows what kind of bomb-throwing student activism got her on an IDF shit list? At first, I felt guilty, an older man taking advantage of a young person in dire straits, but Sandra didn’t seem to mind. Until the day she announced that she needed to send thousands of dollars to her family in Rafah and I should give her the money. “I don’t have thousands of dollars in disposable income,” I told her.
A typically devious A-hab, she had an entire game plan worked out. “Hold a rock revival,” she commanded. “AC/DC, John Mellancamp, George Thorogood, ZZ Top, Bon Jovi. You’ll never get rich if you don’t give the people what they want. My cousin wants to lease a trawler and outrun the Israeli blockade of Gaza. With the Israelis holding the Global Sumud Flotilla under a magnifying glass, the way is now open for independent actors to strike! You can finance it.”
“I’m not going to finance it. It sounds like a lot of shenanigans in the Middle East. You Philistines are all alike. I met Yasser Arafat when I worked at —”
“Borrow the money!”
“Arafat —”
“Mortgage your house.”
“Uh…”
Samson and Delilah, the Jew and the Philistine, Sandra is only slightly crazy. As stated.
Half the equation has to do with our current domicile. A dour Russian by temperament, I am always going to feel a little out of step with sunny, boisterous, cantankerous Americans in a country of immigrants where John Brown is white and John White is black.
Barry, my business partner, has it easier. His new book is titled Zoroastrianism For Dummies. He hopes to get it published soon.
At the Lost Seagull, I eye the laminated Rosetta Stone of a menu, its items listed in Russian, Yiddish and Henglish. Across the top, in a cursive font, amidst a spray of flowers, a heading announces in English “Everything fresh daily.” There are maybe 20 items on the menu. Pirogi. French toast. Chicken Kiev. Blintzes. Apple strudel. Potato pancakes. Rugelach. Pickled pig’s feet. The margins of the menu are decorated with semi-erotic doodles, supposedly drawn by Marc Chagall. (Who knows? We weren’t there.)
I don’t want to say too much about politics during this sensitive period, but a shout-out is in order to Olga and Maxim who own and run the café. In interior décor, they don’t shy away from the 74 years of Soviet rule, but neither do they make a fetish of it. The occasional hammer and sickle grace the walls, but most often as part of something bigger, a portrait of Lenin, a black and white photo enlargement of a May Day parade from the 1950’s or a colorful and dramatic painting of the storming of the Winter Palace. Their family and mine share both the honor and the burden of Menshevik forebears. Social Democrats, our families chose the notoriously wrong side of history, ending up in Siberia and, later, Sweden, Israel and America. In Sweden, Yiddish is an official minority language.
It was that prick Vladimir Lenin who in 1903 coined the terminology Bolshevik (“the majority”) and Menshevik (“the minority”), nefariously distorting reality by claiming more popular support for his aggressive, aggrieved wing of the Social Democrats than he actually possessed. Lacking modern day polling, popularity was whatever he said it was.
And in spite of choosing the wrong side, we Feingolds haven’t done too badly. Before decamping to Australia, my South African cousins owned gold mines.
The café is filling up. “So what are you, a recluse, a bum?” demands Morrie Merlin from a large, round table in the center of the room. He is dressed like a Talmudic scholar in a boxy suit jacket in Hasidic black, baggy pants and an ancient tartan sweater. His beard is flecked with gray. A woven, beaded kippah on his balding pate, he waves me over. “You join our coffee klatsch,” he exclaims, “we offer you a special introductory rate. You pick up the tab three weeks in a row, then you are one of us.”
In addition to Morrie, there is also from my synagogue Professor Yuri Orlov who functions in Washington, DC as a shaliach, an emissary representing the Land of Israel before the multitudes. Apparently, this pays the rent. Also present at the table is Haim Shampoo. Haim is someone I know. Clean-shaven, with hollow cheeks and bloodshot eyes, he’s thin as a reed and blows the shofar on High Holy Days. People say he is CIA, but I wonder what his family name was before they changed it to Shampoo? A collection of old geezers, this gang seems to have oodles of time to loaf in the middle of the day.
The pretty waitress brings us blini and strawberries on a tray. I am salivating on the tablecloth. She is short, with a compact little body. Dressed in white, a silver cross on a chain nestles upon her ample breast. She has plucked eyebrows and flaxen hair tied up in a bun. As she plunks each dish onto the table — plunk! plunk! — there transpires a long, raucous discussion in Russian about which delicacies are fresh daily. My Russian ain’t that great, but I am led to understand that the chefs have been slaving away since 4 a.m. and “Everything is guaranteed fresh daily,” yadayadayada.
When my mamele, my mom Rosa, still walked among us, she spent her days in the kitchen with the TV tuned to RT, a channel which began its existence as “Russia Today.” They had a parade of gorgeous blond anchorwomen bitching endlessly about the evils of American capitalism. When I pointed out that their content verged on total propaganda, mom replied, “Sure! I know that, but I make allowances.” By the end of his career, even Larry King was broadcasting on RT. After becoming an ever more strident mouthpiece for the Kremlin, however, RT got banned by the U.S. Government.
Once we have enjoyed the blini and some potato pancakes in applesauce, we eat borscht. Beets and sour cream. Morrie is busy nattering in my ear, one hand on my shoulder like a crab’s claw. Here’s the deal: He and his crew are fundraising for starving Russian Jews living like peasants in small towns and villages back home in Rossiya. The recipients are in Russia, but this being a registered American charity — The Potemkin Kropotkin Undergarment Foundation — smart lawyers have found a way for the yearly Required Minimum Distribution from my IRA to be paid directly into their coffers. Money makes the world go ’round. “We have a website online,” Morrie assures me, waving his phone in my face, “but for us, vos iz dos far amishegoss?” he says in Yiddish.“What is this for craziness? Give me traditional fundraising, where you can still smell the mop sweat.”
I keep expecting him to break into melodious Russian, but apparently he feels at home with work-a-day English and the Yiddish of Hester Street, the pushcarts and New York’s Lower East Side. Maybe Yiddish is making a comeback among Millennials, but that’s not us. If Jews have a head start in life, it’s not that we are smarter than other people, it’s that we are the People of the Book and multi-lingual.
“Excuse me for asking, but how did you manage to register a 501(c)(3) charity with such an outlandish name?”
“Ah,” Morrie smiles, showing blackened teeth. “That is a story worth telling. We went into the IRS office and told the lady behind the counter, ‘Listen, this wild moniker shows that we have nothing to hide and that we are legit. We know this name is crazy, meshuggah, but historically, Grigory Potemkin and Peter Kropotkin were the greatest men of their era, so we celebrate their achievements. My Bubbe belonged to the International Ladies Garment Workers Union. The I.L.G.W.U. As we say in Yiddish, “If my grandmother had balls, she would have been my grandfather.” If it’s in the name, there’s a reason why it is in the name!’ That spiel convinced the tax lady that we knew what we were doing,” he cackles. Pausing, he nibbles on a pastry. It sits like a brown stone in his incredibly gnarled hand. Either he has arthritis or he is 100 years old. “We take multiples of 18,” he proposes. I get it, $18, $36, $54, $72… Eighteen is chai in Hebrew which means “life” or good luck.
“I understand your philanthropic activity here in the States,” I remark, “but does any of the money make its way across the water to Ukraine?” Actually, I mean “Russia,” of course, but I can’t very well say “charity to Russia” at this time in a public setting in America. I would get pummeled with stones, drawn and quartered, burned at the stake. Thank you very much, Vladimir Putin. It’s not just that he wants to annex Ukraine. A former KGB agent, Putin wants to reconstitute the entire Soviet empire. He says as much in his speeches.
Sighing to beat the band, Morrie gives me a verbal mission statement: “We have high overheads and low ratings, this is undeniable. If a squeaky clean 2% in revenue reaches the worthy recipients, I feel it is all in a month’s woik. Our mission is tikkun olam, heal the world. We try. We woik four-hour days, three days a week. Twice that much on Sunday. Do I criticize you? No, I do not. Charity Navigator, CharityWatch and BB Gun Wiseguy Giving Alliance, these organizations that rate charities should be of themselves ashamed. It’s all politics and who you know. We contacted one such organization, openly and without embarrassment. I wondered how much, under the table, I should provide to get a pristine rating. Nu? If someone is getting it, someone is paying it. I don’t see any ratings bureaucrat standing in line at no soup kitchen. The young man hung up the phone! What a schmuck, I tell you. Yemach shemo, may his name be blotted out.”
“You want money, make me a bizness proposition,” I suggest, waving away an errant housefly that’s been divebombing the pastries. “I manage a rap band. What can you offer me musically?” I demand, purposely acting rude, since I feel I am being taken for a ride. My tea has grown cold in the cup. “Eeny meeny blini,” I complain. “Where’s the bourbon smash bar? Where are the go-go girls scantily clad in cowboy apparel?”
“Klezmer music,” he ventures. “Name the band Hamas. You’ll get boatloads of free publicity.”
“I hate klezmer music.”
“You can be influencers,” Haim suggests, swaying excitedly in his chair, shining as bright as a 60-watt bulb. “Online, every 24 hours is the start of a brand new day! With a band named Hamas, you can run a disinformatzia campaign. Blame October 7 on sleeper cells left over by Osama bin Laden. Blame Covid on drug traffickers from Venezuela. Demand a Congressional hearing!”
“Thanks, but not in my lifetime.”
“Gib mir your pen,” Morrie insists. On a paper napkin, he writes “polar bear, pivo, pajamas, pfft.” Handing me this geheimnisvoll document, he explains, “A secret word code I use at my bank. I prostrate myself before you. Let no secrets come between us!”
I groan aloud. “realPfft is the name of a rap band I represent,” I point out.
“That and tsvey dollar gets you mandel bread at the bakery counter,” he rumbles, hoping I’ll treat him. “What we do, we do to alleviate the suffering of the oppressed,” he declares and I get an itchy feeling in my boots that Bible-thumping is also part of his repertoire. “What kind of Jew are you, not to help your co-religionists?” he growls, furrowing his brow menacingly like an old-time prophet. “Isaiah 41:10, ‘Do not fear, for I am with you. Do not be dismayed, for I am your God. I will strengthen you and help you. I will uphold you with my righteous right hand.’ You gotta earn all that! Remember Job. ‘The Lord giveth and the Lord taketh away. He who…’ whatever!” A born salesman, when all else fails, Morrie is trying the biblical approach, to shame me into making a contribution. Except, he’s panting and I’ve heard it all a thousand times before, Ethiopian Jews in Gondar, Armenian Jews, Jewish ladies in South America forced into prostitution, needy South African Jews, needy North African Jews, Friends of the IDF, Friends of the Magen David Adom Israeli Red Cross, the Hadassah women’s organization, synagogues in Prague, the Jews of Moldova, Jewish braille, Yiddish books. An accountant clever at tax deductions, my momma Rosa gave to thirty different Jewish charities. We kids used to say, “Isn’t it fantastic what an $18 contribution can do? According to these appeals, without mom’s money, the world itself will go under!”
I’m not a judge on The Voice, but dealing all day long with bad singers singing lame songs, I have developed a good ear and a jaundiced view of what comes out of people’s mouths. It’s an occupational hazard. I judge not only what people say, but how they say it. So far, Morrie has only reached 2 on the Richter Scale. “By relieving their bitter agony, you too shall dwell in the House of the Lord for all eternity,” he promises me. Is that all? Muslims promise that 72 vestal virgins await martyrs in paradise. “Your tax deductible contribution will be a wise, noble and lofty undertaking,” Morrie all but thunders, banging his hand on the table for emphasis. “I will swear with my right hand on the cover of a pornographic magazine regarding the righteousness of our cause. Truth, justice, mercy,” he mutters.
“Kevin’s being difficult,” Haim chimes in. “Show him the brochure,” as if this will quiet my misgivings.
Eyeing me stolidly like I am fresh roadkill, Morrie reaches inside his jacket and pulls out a well-thumbed four-color pamphlet. He throws it down on the table dramatically. On the cover is a photograph of some futuristic-looking building.
“Smells like something out of a bad sci-fi movie,” I suggest.
“Our research institute in Kazakhstan,” Haim chirps proudly. “Within spitting distance of the Baikonur Cosmodrome. Ever been to Alma-Ata? Tashkent? Ever ride a camel on the Silk Road? You can hitch a ride to Mars.”
“Has anybody actually been to this institute of yours?”
“What? You expect us to go all the way to Kazakhstan just to inspect a building?” gripes Haim. “Go sit at another table!”
“Make a virtual tour of the facility,” I suggest. “I assume that your institute is where mad scientists are using A.I. to create the next golem and end all life on Earth,” I joke. The pamphlet’s text is in Russian and I can’t be bothered to translate it. Waving for the waitress, I tell her that I’ll cover the tab for the entire table. I am pretty sore, this has not been my idea of a relaxing afternoon.
History’s wheel is turning and, like it or not, we are part of a major churn. Olena, the new teller at my bank, is a refugee from Ukraine. Slava Ukraini, I keep expecting her to give me change in Ukrainian hryvnia.
“You don’t like what we have on offer?” Morrie asks, leaning to within an inch of my nose, a last desperate lunge at a solution. “Hokay! Instead, we have a virtually flawless plan to stop Sweden’s Greta Thunberg and her Turkish friends in Greenpeace from outrunning the blockade of Gaza.”
“Greenpeace isn’t trying to outrun the blockade of Gaza. The Global Sumud Flotilla —”
“We need a hundred million dollars or so to get an American destroyer located in James River, Virginia out of mothballs! Steam engine tech don’t come cheap.”
“Not my problemo.”
Obviously, we have all been reading the same newspaper stories about blockade runners.
Paying the bill, I don’t say goodbye, I just leave.
In the parking lot, where the cars are lined up in a row facing the building, four masked individuals in black combat gear surround me as I put my key in the car door. I gotta laugh. “No, really?” I demand. “Don’t tell me you’re from ICE?! I don’t even speak Spanish.”
“You got any identification?” an agent asks gruffly.
Pulling out my wallet, I proffer them my driver’s license and Medicare card. Oy vey is mir,” I laugh. “No hablo español.”
It turns out they tagged my car but misread the license plate. Same number, wrong state. “Not a big deal,” I assure them. “Anybody can make a mistake. Have a nice day.”
Halfway home, I have to pull over to the side of the road and puke. I am trembling with rage. I try so hard to be nice, but this country is rapidly going downhill. We’re in the midst of a government shutdown, but law enforcement still has the resources to hassle people.
Conflicts here, conflicts there, conflicts everywhere. This is so not good.
It’s award season and Donald Trump has announced that he wants the Nobel Peace Prize. Trump sees himself as a peacemaker and he feels that his efforts to bring peace to Gaza and a negotiated settlement for Ukraine qualify him for the Nobel Prize.
Alfred Nobel invented dynamite. Seeing the carnage of war, Nobel felt responsible. To counter the view of him as a “merchant of death” and to strengthen peace initiatives, he created the Nobel Peace Prize.
You can’t just announce that you want the Nobel Prize, however, that’s not how it works. You are awarded the Peace Prize if, in fact, you deserve it.
Not everyone is eligible. Among other things, you have to be alive to qualify, the prize is not awarded posthumously.
You also need to be nominated, but in Trump’s case, that is no problem since he has been nominated at least 12 times, most recently by Israeli Prime Minister Benyamin Netanyahu. The government of Pakistan nominated Trump for his work in brokering a cease-fire between Pakistan and India. In 2022, Péter Szijjártó, the Hungarian Minister of Foreign Affairs and Trade, suggested awarding the prize to Trump for the Abraham Accords. In the past decade, several American lawmakers have nominated Trump, some out of conviction, others to curry favor.
There are six Nobel Prize categories: physics, chemistry, medicine, economics, peace and literature. Some years, the Nobel Prize in Literature is awarded to an author, other years to a poet. “Song lyrics are also a form of poetry,” Clive Flatenbad of Swedish rap duo realPfft points out. “Therefore, Mutte and I as songwriters should also be eligible for the Nobel Prize in Literature. We have released 140 songs. There’s probably some literary merit in our work somewhere in there. Huh, huh, huh?”
Fortunately for Clive, just because he is gauche doesn’t disqualify him for the Nobel Prize.
Clive’s argument is not completely outlandish since, occasionally, the Nobel Committee chooses a home-grown Swede for the Nobel Prize. “That’s me!” says Clive, whose father is Swedish and whose mother is British. “I grew up in Stockholm,” he insists. “Therefore, I deserve the prize.”
Competition is stiff and no motivation is off-limits. The band’s motto is “With realPfft in Modern Times,” a bastardization of Swedish King Carl XVI Gustaf’s slogan “For Sweden in Modern Times.” (För Sverige – i tiden)
To bolster their argument, the boys point out that realPfft has received The Freilitzer Music Award from the district of Sjælland in Denmark in 2021, a grant from The Catherine C. Grant Foundation in the town of Bristol in England in 2022 and the Big Bellyacher Award for Good Housekeeping from the city of Tokyo in 2024.
Just as Boris Pasternak’s Dr. Zhivago and Aleksandr Solzhenitsyn’s Cancer Ward qualified them for the Nobel Prize, the boys claim that the lyrics to their song Speed Hump qualify them for the Nobel Prize in Literature. Sample lyrics: Don’t insult him/ Don’t insult me/ Spending coin/ To put bumps in the roadway… Any love, any love, give me, give me/ Oh! Oh! Oh! Oh! / Papa done me, si si dumb need/ Papa done me, si si dumb needy… Pick me up, pick me up, give me, give me/ Pick me up, pick me up, give me, give me… In the roadway… Coin/ Spending coin… etc.
“Mutte has created many an audio effect at the mixing console. Give us the Nobel Prize in Physics,” Clive suggests, using a scatter-shot approach to the awards. “I’m a cough drop addict. Medicine! We have good chemistry. Chemistry! I know how to add. Economics! The cards are stacked against us, but the problem, as I see it, is too few categories. Where is the Nobel Prize in Choreography? Where is the Nobel Prize in Fashion Design? The Nobel Prize in Dumb Jokes? It’s like the Oscars. We could win an Oscar for videos by my younger brother Tim in the category Best Original Short Visual Representation of a Musical Composition by a Swedish Rap Duo Out of Uppsala, Sweden. Easy-peasy, we could win that Oscar! Hands-down.
“We finish every day’s struggle in the studio by making a ‘V for Victory’ sign with both hands, shouting to one another ‘Peace, brother!’ That alone makes us worthy of a Nobel Peace Prize,” according to Clive.
“If Trump wants the Nobel Peace Prize without creating peace,” reasons Clive in an open letter to the Swedish Academy, “we deserve the Nobel Prize in Literature without creating literature.”
Note: Since you need to be nominated by a public official in order to win, I, blogger Kevin Feingold, officially nominate songwriters Clive Gunnar Flatenbad and Mutte Anders Fjutt for the Nobel Prize in Literature in 2026. May they live to be 100 years old! (Ja, må han leva i hundrade år, the Swedish version of “Happy birthday to you.”)
Here is a gift to all our enthusiastic Chinese listeners!
A chestnut from our archive originally released on October 10, 2021, Mutte & Clive present Chinese-inspired banjo music. I’m hoping at some point they will even learn to play the erhu.
Tourists, my white-haired mom and I visited China 25 years ago and LOVED it. As part of an American tourist group, we were among the first Americans to tour China. We ate Chinese food three times a day! Visiting Beijing, Xi’an, Shanghai and Hong Kong, we also did a Yangtze River cruise. Everywhere we went, mom was venerated as an elder and I was befriended based on my Buddhist beliefs.
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